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Peter Jackson - ENG

Film Authorship In A Global Hollywood
$1,000.00
Disponible
ISBN: 9781394286201
Formato: ePub
Idioma: Inglés
Editorial: Wiley Global Research (STMS)
Tema: Artes escénicas
Subtema: Cine dirección y producción
Año de publicación: 2026-03-19

The definitive analysis of one of cinemas most successful filmmakers. No filmmaker has achieved Peter Jacksons particular combination of cult horror origins, art cinema acclaim, and blockbuster dominance. This book provides the first comprehensive examination of his entire career, from early splatter films, to the art cinema breakthrough Heavenly Creatures, to The Lord of the Rings trilogy, The Hobbit, and beyond. Written by Barry Keith Grant, an internationally known film critic and a Fellow of the Royal Society of Canada, this book delivers thoughtful close readings of every Jackson film. Tracing Jacksons trajectory through detailed textual analysis, Grant examines how he mobilizes the conventions of Hollywood film genres to speak to audiences in his home country of New Zealand, as well as engage audiences around the world. This volume examines the nature of Jackon’s film authorship in the context of contemporary blockbuster filmmaking and the age of the internet. Coverage extends from his fiction films to his documentary work, including They Shall Not Grow Old, The Beatles: Get Back, and Now and Then. Readers will also discover: Close readings of all fiction films from Bad Taste through The Hobbit trilogy, analyzing Jacksons distinctive approach to genre and spectacle Analysis of documentary restoration work that previous studies have overlooked, including acclaimed projects for the Imperial War Museum and Apple Corps Examination of Jacksons films within the broader context of New Zealand cinema history and the countrys emergence as a filmmaking hub Discussion of film authorship theory applied to contemporary blockbuster production, franchise filmmaking, and digital-age audience engagement Contextual analysis situating Jacksons work within Hollywood conventions while identifying his distinctly New Zealand cinematic voice and perspective Film scholars, graduate students, cinephiles and fans of American cinema, Hollywood, New Zealand film, horror, fantasy, and film authorship will find this volume indispensable. Peter Jackson: Film Authorship in Global Hollywood offers the comprehensive critical treatment that one of cinemas most commercially successful directors has long deserved.

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