This book explores the automata of the Medici Villa Pratolino, focusing on the intersection of art, engineering, and philosophy in the late sixteenth century. The author examines how these ‘living sculptures’ went beyond traditional Renaissance static forms, blending mechanical innovation with artistic expression. Through a detailed analysis of the villa automata and Francesco de Vieris 1587 description of the site, the book highlights the philosophical and magical ideas that shaped these creations, reflecting the Medici family ambition to fuse science, art, and power. Providing a critical bridge between medieval and Renaissance anthropomorphic engineering, and the later mechanistic devices of the Reformation and Enlightenment, this book will appeal to scholars of Renaissance art, the history of technology, and the philosophy of science, offering new insights into the role of automata in Early Modern European culture.